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Responsible Digital Transformations RDT

Prof. H.J. (Henkjan) Honing

Music Cognition, Faculty of Science &
Faculty of Humanities
Capaciteitsgroep Muziekwetenschap
Photographer: UvA | IIS
Visiting address
  • Science Park 900
  • Room number: L6.30
Postal address
  • Postbus 94242
    1090 GE Amsterdam
Contact details
Social media
  • Profile

    Henkjan Honing (1959) is professor in Music Cognition at both the Faculty of Humanities and the Faculty of Science of the University of Amsterdam (UvA). He conducts his research under the auspices of the Institute for Logic, Language and Computation (ILLC) and the University of Amsterdam's Brain and Cognition (ABC) Center.

    Honing obtained his PhD at City University (London) in 1991 with research into the representation of time and temporal structure in music. During the period between 1992 and 1997, he worked as a KNAW Research Fellow (Academieonderzoeker) at the University of Amsterdam's Institute for Logic, Language and Computation (ILLC), where he conducted a study on the formalization of musical knowledge, pioneering the use of symbolic AI (GOFAI) and connectionist models (neural networks) to the representation of time and temporal structure in music. Up until 2003, he worked as a research coordinator at the Nijmegen Institute for Cognition and Information (NICI; Now Donders Institute) where he specialized in the computational modeling of music cognition. In 2007, he was appointed Associate Professor in Music Cognition at the University of Amsterdam's Musicology capacity group. In 2010 he was awarded the KNAW-Hendrik Muller chair, designated on behalf of the Royal Netherlands Academy of Arts and Sciences (KNAW). In 2012 he was appointed strategic Professor of Cognitive and Computational Musicology, and in 2014 he became full professor in Music Cognition at both the Faculty of Humanities and the Faculty of Science of the University of Amsterdam. In 2013 he received a Distinguished Lorentz Fellowship, a prize granted by the Lorentz Center for the Sciences and the Netherlands Institute for Advanced Study in the Humanities and Social Sciences. In 2019 Henkjan Honing was elected member of the KNAW. In 2024 Honing received a Lifetime Achievement Award from the Society for Music Perception and Cognition (SMPC).

    Henkjan Honing  is known as a passionate researcher in this new interdisciplinary field that gives us fundamental insights in the cognitive mechanisms underlying musicality. He has authored over 250 international publications in the area of music cognition and music technology. He published several books for the general public such as Iedereen is muzikaal. Wat we weten over het luisteren naar muziek (Nieuw Amsterdam, 2009/2012), published in English as Music Cognition: The Basics (Routledge, 2021): an adapted and fully revised edition of Musical Cognition introduced at the 2011 edition of TEDxAmsterdam.

    Recently three new books appeared: Music Cognition: The Basics (2021, Routledge),  Aap slaat maat. Op zoek naar de oorsprong van muzikaliteit bij mens en dier (Nieuw Amsterdam, 2018) –translated in English as The Evolving Animal Orchestra: In Search of What Makes Us Musical (2019, The MIT Press)–, and an edited volume with a research agenda on musicality entitled The Origins of Musicality (2018, The MIT Press).

    Henkjan Honing's books and lectures are popular with a broad audience and are appreciated both inside and outside the scientific world.

    Music Cognition Group (MCG)

    The Music Cognition Group (MCG) is part of the Department of Musicology, the Institute for Logic, Language and Computation (ILLC), and Amsterdam Brain and Cognition (ABC) of the University of Amsterdam (UvA) and is housed at Science Park Amsterdam.

    For an overview of the group members see here.

    The research of the MCG has a special focus on the temporal and melodic aspects of music using theoretical, empirical and computational methods. The research program aims to identify the basic neurocognitive mechanisms that constitute musicality (and effective ways to study these in human and nonhuman animals) and to develop a method for analyzing musical phenotypes that point to the biological basis of musicality.

    1. Cognition, Biology and the Origins of Musicality (2017-...)
    2. What is shared (and what unique) in music versus language processing? (NWO-Horizon, 2013-2017)
    3. What are the music structural and cognitive components that contribute to the memory, recall and transmission of melodies? (NWO-CATCH and KNAW-Tunes & Tales, 2012-2016)
    4. What are the cognitive mechanisms and neurological correlates of rhythm perception? (UvA-CSCA, 2011-2015)
    5. What are the cognitive and biological building blocks of musicality? (KNAW-Muller chair and Distinguished Lorentz Fellowship, 2010-2014)

    For an overview of the research see here.

    Henkjan Honing (1959) is professor in Music Cognition at both the Faculty of Humanities and the Faculty of Science of the University of Amsterdam (UvA). He conducts his research under the auspices of the Institute for Logic, Language and Computation (ILLC) and the University of Amsterdam's Brain and Cognition (ABC) Center.

    Honing obtained his PhD at City University (London) in 1991 with research into the representation of time and temporal structure in music. During the period between 1992 and 1997, he worked as a KNAW Research Fellow (Academieonderzoeker) at the University of Amsterdam's Institute for Logic, Language and Computation (ILLC), where he conducted a study on the formalization of musical knowledge, pioneering the use of symbolic AI (GOFAI) and connectionist models (neural networks) to the representation of time and temporal structure in music. Up until 2003, he worked as a research coordinator at the Nijmegen Institute for Cognition and Information (NICI; Now Donders Institute) where he specialized in the computational modeling of music cognition. In 2007, he was appointed Associate Professor in Music Cognition at the University of Amsterdam's Musicology capacity group. In 2010 he was awarded the KNAW-Hendrik Muller chair, designated on behalf of the Royal Netherlands Academy of Arts and Sciences (KNAW). In 2012 he was appointed strategic Professor of Cognitive and Computational Musicology, and in 2014 he became full professor in Music Cognition at both the Faculty of Humanities and the Faculty of Science of the University of Amsterdam. In 2013 he received a Distinguished Lorentz Fellowship, a prize granted by the Lorentz Center for the Sciences and the Netherlands Institute for Advanced Study in the Humanities and Social Sciences. In 2019 Henkjan Honing was elected member of the KNAW. In 2024 Honing received a Lifetime Achievement Award from the Society for Music Perception and Cognition (SMPC).

    Henkjan Honing  is known as a passionate researcher in this new interdisciplinary field that gives us fundamental insights in the cognitive mechanisms underlying musicality. He has authored over 250 international publications in the area of music cognition and music technology. He published several books for the general public such as Iedereen is muzikaal. Wat we weten over het luisteren naar muziek (Nieuw Amsterdam, 2009/2012), published in English as Music Cognition: The Basics (Routledge, 2021): an adapted and fully revised edition of Musical Cognition introduced at the 2011 edition of TEDxAmsterdam.

    Recently three new books appeared: Music Cognition: The Basics (2021, Routledge),  Aap slaat maat. Op zoek naar de oorsprong van muzikaliteit bij mens en dier (Nieuw Amsterdam, 2018) –translated in English as The Evolving Animal Orchestra: In Search of What Makes Us Musical (2019, The MIT Press)–, and an edited volume with a research agenda on musicality entitled The Origins of Musicality (2018, The MIT Press).

    Henkjan Honing's books and lectures are popular with a broad audience and are appreciated both inside and outside the scientific world.

    Music Cognition Group (MCG)

    The Music Cognition Group (MCG) is part of the Department of Musicology, the Institute for Logic, Language and Computation (ILLC), and Amsterdam Brain and Cognition (ABC) of the University of Amsterdam (UvA) and is housed at Science Park Amsterdam.

    For an overview of the group members see here.

    The research of the MCG has a special focus on the temporal and melodic aspects of music using theoretical, empirical and computational methods. The research program aims to identify the basic neurocognitive mechanisms that constitute musicality (and effective ways to study these in human and nonhuman animals) and to develop a method for analyzing musical phenotypes that point to the biological basis of musicality.

    1. Cognition, Biology and the Origins of Musicality (2017-...)
    2. What is shared (and what unique) in music versus language processing? (NWO-Horizon, 2013-2017)
    3. What are the music structural and cognitive components that contribute to the memory, recall and transmission of melodies? (NWO-CATCH and KNAW-Tunes & Tales, 2012-2016)
    4. What are the cognitive mechanisms and neurological correlates of rhythm perception? (UvA-CSCA, 2011-2015)
    5. What are the cognitive and biological building blocks of musicality? (KNAW-Muller chair and Distinguished Lorentz Fellowship, 2010-2014)

    For an overview of the research see here.

  • Books

    Music Cognition: The Basics.

    Routledge, September 2021.

    The Evolving Animal Orchestra.

    In Search of What Makes Us Musical.

    The MIT Press, March 2019.

     

    The Origins of Musicality.

    The MIT Press, April 2018.

    Aap slaat maat.

    Op zoek naar de oorsprong van muzikaliteit bij mens en dier.

    Uitgeverij Nieuw Amsterdam, mei 2018.

    Iedereen is muzikaal.

    Wat we weten over het luisteren naar muziek.

    Uitgeverij Nieuw Amsterdam, 2009, 2012 (uitgebreide editie, 6de druk).

    Musical Cognition.

    A Science of Listening.

    Routledge, 2011, 2013 (updated paperback edition), 2017 (new eBook).

    Op zoek naar wat ons muzikale dieren maakt.

    Uitgeverij Nieuw Amsterdam, 2012.

    GRATIS DOWNLOAD (iBook / iPad only)

     

    The Illiterate Listener.

    Amsterdam University Press, 2011.

    FREE DOWNLOAD

    De ongeletterde luisteraar.

    Royal Netherlands Academy of Arts and Sciences (KNAW), 2010.

    GRATIS DOWNLOAD (Inaugural Lecture 2010, published in Dutch both at AUP and KNAW; Dutch version can be downloaded for free via KNAW, paper-copies are available via AUP)

  • Music Cognition Group (MCG)
    www.mcg.uva.nl
  • Publications

    2024

    2023

    2022

    2021

    2020

    2019

    • Honing, H., & Bouwer, F. L. (2019). Rhythm. In P. J. Rentfrow, & D. J. Levitin (Eds.), Foundations in Music Psychology: Theory and Research (pp. 33-69). The MIT Press. [details]

    2018

    2017

    • Honing, H. (2017). Musical cognition: A science of listening : with a new afterword by the author. Routledge. https://doi.org/10.4324/9781351297363 [details]
    • Janssen, B., Burgoyne, J. A., & Honing, H. (2017). Predicting Variation of Folk Songs: A Corpus Analysis Study on the Memorability of Melodies. Frontiers in Psychology, 8, Article 621. https://doi.org/10.3389/fpsyg.2017.00621 [details]
    • Korsmit, I. R., Burgoyne, J. A., & Honing, H. (2017). If You Wanna Be My Lover … A Hook Discovery Game to Uncover Individual Differences in Long-term Musical Memory. In E. Van Dijck (Ed.), Proceedings of the 25th Anniversary Conference of the European Society for the Cognitive Sciences of Music (pp. 106–111). Ghent University.
    • Mooren, N., Burgoyne, J. A., & Honing, H. (2017). Investigating grouping behaviour of dancers in a silent disco using overhead video capture. In E. Van Dijck (Ed.), Proceedings of the 25th Anniversary Conference of the European Society for the Cognitive Sciences of Music (pp. 142-149). Ghent University.
    • Ravignani, A., Honing, H., & Kotz, S. A. (2017). The evolution of rhythm cognition: Timing in music and speech. Frontiers in Human Neuroscience, 11, Article 303. https://doi.org/10.3389/fnhum.2017.00303 [details]
    • van der Weij, B., Pearce, M. T., & Honing, H. (2017). A Probabilistic Model of Meter Perception: Simulating Enculturation. Frontiers in Psychology, 8, Article 824. https://doi.org/10.3389/fpsyg.2017.00824 [details]

    2016

    2015

    2014

    2013

    • Burgoyne, J. A., Bountouridis, D., Van Balen, J., & Honing, H. (2013). Hooked: A Game for Discovering What Makes Music Catchy. In A. de Souza Britto Jr., F. Gouyon, & S. Dixon (Eds.), Proceedings of the 14th International Society for Music Information Retrieval Conference: November 4-8, 2013, Curitiba, Brazil (pp. 245-250). ISMIR. [details]
    • Honing, H. (2013). Sin eso no hay música: La inducción del beat como un rasgo musical fundamental. Boletín de SACCOM, 5(3), 15-25. http://www.saccom.org.ar/saccom/boletin/v5n3/honing_sin_eso_no_hay_musica.pdf [details]
    • Honing, H. (2013). Structure and interpretation of rhythm in music. In D. Deutsch (Ed.), The Psychology of Music (3 ed., pp. 369-404). Elsevier / Academic Press. https://doi.org/10.1016/B978-0-12-381460-9.00009-2 [details]
    • Jaschke, A. C., Eggermont, L. H. P., Honing, H., & Scherder, E. J. A. (2013). Music education and its effect on intellectual abilities in children: a systematic review. Reviews in the Neurosciences, 24(6), 665-675. https://doi.org/10.1515/revneuro-2013-0023 [details]
    • Thompson-Schill, S., Hagoort, P., Dominey, P. F., Honing, H., Koelsch, S., Ladd, D. R., Lerdahl, F., Levinson, S. C., & Steedman, M. (2013). Multiple Levels of Structure in Language and Music. In M. A. Arbib (Ed.), Language, Music, and the Brain: A Mysterious Relationship (pp. 289-206). (Strüngmann Forum Reports; No. 10). MIT Press. https://mitpress.mit.edu/books/language-music-and-brain [details]

    2012

    2011

    • Honing, H., & Romeijn, J. W. (2011). Surprise! Assessing the value of risky predictions. In Proceedings of the thirteenth International Conference on Informatics and Semiotics in Organisations - Problems and Possibilities of Computational Humanities ( (pp. 185). Fryske Academy, series FA 1053.

    2010

    • Honing, H. (2010). Beat-induction as a fundamental musical skill. In S. M. Demorest, S. J. Morrison, & P. S. Campbell (Eds.), Proceedings of the 11th International Conference on Music Perception and Cognition (pp. 14). University of Washington.
    • Honing, H. (2010). Lure(d) into listening: The potential of cognition-based music information retrieval. Empirical Musicology Review, 5(4), 121-126. [details]

    2009

    2008

    2007

    • Coath, M., Denham, S. L., Smith, L. M., Honing, H., Hazan, A., & Purwins, H. (2007). An auditory model for the detection of perceptual onsets and beat tracking in singing. In H. P. D.R. Hardoon (Ed.), Workshop at Neural Information Processing Systems (NIPS) conference NIPS.
    • Honing, H. (2007). Is expressive timing relational invariant under tempo transformation? Psychology of Music, 35(2), 276-285. https://doi.org/10.1177/0305735607070380 [details]
    • Honing, H. (2007). Preferring the best fitting, least flexible, and most surprising prediction: Towards a Bayesian approach to model selection in music cognition. In Proceedings of the Society for Music Perception and Cognition (SMPC) (pp. 37). Concordia University.
    • Honing, H. (2007). The role of ICT in music research: a bridge too far? International Journal of Humanities and Arts Computing, 1(1), 61-69. https://doi.org/10.3366/E1753854808000104 [details]
    • Ladinig, O., & Honing, H. (2007). Complexity judgments as a measure for metric salience: Is there indeed a difference between musicians and non-musicians? In Proceedings of the Society for Music Perception and Cognition (SMPC) (pp. 27). Concordia University.
    • Smith, L. M., & Honing, H. (2007). Evaluation of multiresolution representations of musical rhythm. In E. Schubert, K. Buckley, R. Eliott, B. Koboroff, J. Chen, & C. Stevens (Eds.), Proceedings of the International Conference on Music Communication Science MARCS. http://www.hcsnet.edu.au

    2006

    • Honing, H. (2006). Computational modeling of music cognition: a case study on model selection. Music Perception, 23(5), 365-376. https://doi.org/10.1525/mp.2006.23.5.365 [details]
    • Honing, H. (2006). Evidence for tempo-specific timing in music using a web-based experimental setup. Journal of Experimental Psychology. Human Perception and Performance, 32(3), 780-786. https://doi.org/10.1037/0096-1523.32.3.780 [details]
    • Honing, H. (2006). Music and Cognition: What cognitive science can learn from music cognition. In Proceedings of the Annual Conference of the Cognitive Science Society (pp. 2655). Lawrence Erlbaum Associates. [details]
    • Honing, H. (2006). On the growing role of observation, formalization and experimental method in musicology. Empirical Musicology Review, 1(1), 2-5. http://emusicology.org/v1n1/ [details]
    • Honing, H. (2006). The role of surprise in theory testing: Some preliminary observations. In Proceedings of the International Conference on Music Perception and Cognition (pp. 38-42). University of Bologna. [details]
    • Honing, H., & Ladinig, O. (2006). The effect of exposure and expertise on timing judgments: Preliminary results. In Proceedings of the International Conference on Music Perception and Cognition (pp. 80-85). University of Bologna. [details]
    • Sadakata, M., Desain, P., & Honing, H. (2006). The Bayesian way to relate rhythm perception and production. Music Perception, 23(3), 269-288. https://doi.org/10.1525/mp.2006.23.3.269 [details]
    • Smith, L. M., & Honing, H. (2006). Evaluating and extending computational models of rhythmic syncopation in music. Proceedings of the International Computer Music Conference, 2006, 688-691. [details]

    2005

    • Honing, H. (2005). Is there a perception-based alternative to kinematic models of tempo rubato? Music Perception, 23(1), 79-85. https://doi.org/10.1525/mp.2005.23.1.79 [details]
    • Honing, H. (2005). Timing is tempo-specific. Proceedings of the International Computer Music Conference, 2005, 359-362.
    • Jongsma, M. L. A., Eichele, T., Quian Quiroga, R., Desain, P., & Honing, H. (2005). The effect of expectancy on ommision evoked potentials (OEPs) in musicians and nonmusicians. Psychophysiology, 42(2), 191-201. https://doi.org/10.1111/j.1469-8986.2005.00269.x [details]

    2004

    • Honing, H. (2004). The comeback of systematic musicology: new empiricism and the cognitive revolution. Dutch Journal of Music Theory, 9(3), 241-244. [details]
    • Honing, H. (2004). When a good fit is not good enough: a case study on the final ritard. In Ashley, R, & Lipscomb, S. (Eds.), Proceedings of the International Conference on Music Perception and Cognition (ICMPC) (pp. 510-513). Northwestern University. [details]
    • Honing, H., Desain, P., & Sadakata, M. (2004). An analysis of rhythmic ratios in scores of various kinds of music. In Ashley, R, & Lipscomb, S. (Eds.), Proceedings of the International Conference on Music Perception and Cognition (ICMPC) Northwestern University. [details]
    • Jongsma, M. A., Desain, P., & Honing, H. (2004). Rhythmic context influences the auditory evoked potentials of musicians and nonmusicians. Biological Psychology, 66, 129-152. https://doi.org/10.1016/j.biopsycho.2003.10.002 [details]
    • Sadakata, M., Desain, P., Honing, H., Patel, A., & Iversen, J. R. (2004). A cross-cultural study of the rhythm in English and Japanese popular music. In Proceedings of the International Symposium on Musical Acoustics (pp. 41-44). Nara University. [details]

    2003

    • Desain, P., & Honing, H. (2003). Single trial ERP allows Detection of Perceived and Imagined Rhythm. In K. Hirata (Ed.), Proceedings of the RENCON workshop, International Joint Conference on Artificial Intelligence (IJCAI) (pp. 1-4). NTT Communication Science Laboratories. [details]
    • Desain, P., & Honing, H. (2003). The formation of rhythmic categories and metric priming. Perception, 32(3), 341-365. https://doi.org/10.1068/p3370 [details]
    • Desain, P., Honing, H., van Rijn, C. M., & Jongsma, M. L. A. (2003). Evoked potentials to test rhythm perception theories. In G. Avanzin, et al. (Ed.), Annuals of the New York Academy of Sciences (Vol. 999, pp. 180-183). New York Academy of Sciences. [details]
    • Honing, H. (2003). Some comments on the relation between music and motion. Music Theory Online, 9(1). http://societymusictheory.org/mto/issues/mto.03.9.1/ [details]
    • Honing, H. (2003). The final ritard: on music, motion, and kinematic models. Computer Music Journal, 27(3), 66-72. https://doi.org/10.1162/014892603322482538 [details]
    • Honing, H., Desain, P., & Timmers, R. (2003). Music Performance Panel: NICI / MMM Position Statement. In Proceedings of the MOSART Midterm Meeting (pp. 318-322). DIKU. [details]
    • Honing, H., Patel, A., Sadakata, M., Desain, P., & Iversen, J. R. (2003). An analysis of rhythm in japanese and english popular music. In T. Taguti, et al. (Ed.), Proceedings of the Annual meeting of the Japanese Society for Music Perception and Cognition (pp. 1-4). International Symposium on Musiacl Acoustics. [details]
    • van Zaanen, M. M., Bod, R., & Honing, H. (2003). A memory-based approach to meter induction. In Proceedings of the ESCOM (pp. 250-253). ESCOM. [details]

    2002

    • Desain, P., & Honing, H. (2002). Rhythmic stability as explanation of category size. In K. Stevens (Ed.), Proceedings of the International Conference on Music Perception and Cognition (pp. 111-115). University of New South Wales. [details]
    • Desain, P., Honing, H., Windor, L., Timmers, R., & Ashley, R. (2002). Timing of ornaments in the theme of Beethoven's paisiello variations: Empirical data and a model. Music Perception, 20(1), 3-33. https://doi.org/10.1525/mp.2002.20.1.3 [details]
    • Honing, H. (2002). Structure and interpretation of rhythm and timing. Dutch Journal of Music Theory, 7(3), 227-232. [details]
    • Honing, H., & Timmers, T. (2002). Issuing an empirical musicology of performance. In Freedom and constraints in timing and ornamentation. Investigations of music performance (pp. 19-49\). Shaker Publishing. [details]
    • Honing, H., Sadakata, H. M., & Desain, P. (2002). The relation between rhythm perception and production: towards a bayesian model. In K. Ogushi (Ed.), Proceedings of the Japanese Society of Music Perception and Cogntion (pp. 123-127). [details]
    • Honing, H., van Rijn, T., Coenen, T., Jenks, K., & Desain, P. (2002). Omission evoked potentials (OEPS) in rhythmically trained and non-trained subjects. Journal of Cognitive Neuroscience, B90. [details]
    • Honing, H., van Rijn, T., Jongsma, M. A., & Desain, P. (2002). Aep p300 modulation by two different temporal contexts in both rhythmically trained and nontrained subjects. Journal of Cognitive Neuroscience, A94. [details]
    • Timmers, R., & Honing, H. (2002). On music performance, theories, measurement and diversity. Cognitive Processing International Quartely of Cognitive Sciences), 1/2, 1-19. [details]

    2001

    • Cemgil, A. T., Kappen, B., Desain, P., & Honing, H. (2001). On tempo tracking: tempogram Representation and Kalman filtering. Journal of New Music Research, 29(4), 259-273. https://doi.org/10.1080/09298210008565462 [details]
    • Honing, H. (2001). From time to time: The representation of timing and tempo. Computer Music Journal, 35(3), 50-61. [details]
    • Rossignol, S., Desain, P., & Honing, H. (2001). Refined knowledge-based pitch tracking: Comparing Three Frequency Extraction Methods. Proceedings of the International Computer Music Conference, 2001. [details]
    • Rossignol, S., Desain, P., & Honing, H. (2001). State-of-the-art in fundamental frequency tracking. In Proceedings of workshop on Current Research Directions in Computer Music (pp. 244-245). UPF. [details]
    • Trilsbeek, P., Desain, P., & Honing, H. (2001). Spectral Analysis of Timing Profiles of Piano Performances. Proceedings of the International Computer Music Conference, 2001. [details]

    2000

    • Cemgil, A. T., Kappen, B., Desain, P., & Honing, H. (2000). On tempo-tracking: tempogram representation and Kalman filtering. Proceedings of the International Computer Music Conference, 2000, 352-355. [details]
    • Desain, P., Honing, H., Aarts, R., & Timmers, R. (2000). Rhythmic aspects of vibrato. In Desain, P., & Windsor, W.L. (Eds.), Rhythm Perception and Production (pp. 203-216). Swets & Zeitlinger. [details]
    • Desain, P., Jansen, C., & Honing, H. (2000). How identification of rhythmic categories depends on tempo and meter. In Proceedings of the International Conference of Music perception and Cognition [details]
    • Heijink, H., Desain, P., Honing, H., & Windsor, W. L. (2000). Make me a match: an evaluation of different approaches to score-performance macthing. Computer Music Journal, 24(1), 43-56. https://doi.org/10.1162/014892600559173 [details]
    • Timmers, R., Desain, P., & Honing, H. (2000). Timing of grace notes in piano performances of a Beethoven theme. In Proceedings of the 8th Rhythm Perception and Production Workshop [details]
    • Windsor, W. L., Desain, P., Honing, H., Aarts, R., & Heijink, H. (2000). On time: the influence of tempo, structure and style on the timing of grace notes in skilled musical perfomance. In Desain, P., & Windsor, W. L. (Eds.), Rhythm perception and production (pp. 217-223). Swets & Zeitlinger. [details]

    1999

    • Desain, P., & Honing, H. (1999). Computational models of beat induction: the rule-based approach. Journal of New Music Research, 28(1), 29-42. https://doi.org/10.1076/jnmr.28.1.29.3123 [details]
    • Desain, P., & Honing, H. (1999). Modeling vibrato and portamento in music performance. Bulletin of the Council for Research in Music Education. [details]

    1998

    • Desain, P., & Honing, H. (1998). A reply to S. W. Smoliar's "Modelling musical perception: a critical view". In Griffith, N., & Todd, P. (Eds.), Musical networks, parallel distributed perception and performance (pp. 111-114). MIT Press. [details]
    • Desain, P., Honing, H., Aarts, R., & Timmers, R. (1998). Rhythmic aspects of vibrato. In Proceedings of the 1998 rhythm Perception and Production Workshop (pp. 34-34) [details]
    • Desain, P., Honing, H., Thienen, H., & Windsor, W. L. (1998). Computational modeling of music cognition: problem or solution? Music Perception, 16(1), 151-166. [details]

    1997

    • Dannenberg, R., Desain, P., & Honing, H. (1997). Programming language design for music. In de Poli, G., & Picalli, A (Eds.), Musical Signal Processing (pp. 271-315). Swets & Zeitlinger. [details]
    • Desain, P., & Honing, H. (1997). CLOSe to the edge? Advanced object oriented techniques in the representation of musical knowledge. Journal of New Music Research, 26(1), 1-16. https://doi.org/10.1080/09298219708570714
    • Desain, P., & Honing, H. (1997). Computational modelling of rhythm perception. In Proceedings of the workshop on Language and Music Perception [details]
    • Desain, P., & Honing, H. (1997). How to evaluate generative models of expression in music performance. In IJCAI workshop: Issues in AI and music evaluation and assessment (pp. 5-7) [details]
    • Desain, P., & Honing, H. (1997). Structural Expression Component Theory (SECT), and a method for decomposing expression in music performance. In Proceedings of the Society for Music Perception and Cognition (pp. 38-38) [details]
    • Desain, P., Honing, H., & Heijink, H. (1997). Robust score-performance matching: taking advantage of structural information. Proceedings of the International Computer Music Conference, 1997, 337-340. http://hdl.handle.net/2027/spo.bbp2372.1997.088 [details]
    • Windsor, W. L., Desain, P., Honing, H., Aarts, R., & Heijink, H. (1997). Graceful timing: ornaments, tempo and musical structure. In Proceedings of the 7t Rhythm Perception and Production Workshop (pp. 35-35) [details]

    1996

    • Desain, P., & Honing, H. (1996). Physical motion as a metaphor for timing in music: the final ritard. Proceedings of the International Computer Music Conference, 1996, 458-460. [details]

    1995

    2024

    2023

    2022

    2021

    2020

    2014

    • Honing, H., & Merchant, H. (2014). Differences in auditory timing between human and nonhuman primates. Behavioral and Brain Sciences, 37(6), 557-558. https://doi.org/10.1017/S0140525X13004056 [details]
    • Honing, H., & Zuidema, W. (2014). Decomposing dendrophilia: Comment on "Toward a Computational Framework for Cognitive Biology: Unifying approaches from cognitive neuroscience and comparative cognition" by W. Tecumseh Fitch. Physics of Life Reviews, 11(3), 375-376. https://doi.org/10.1016/j.plrev.2014.06.020 [details]

    2013

    2012

    • Honing, H. (2012). Op zoek naar wat ons muzikale dieren maakt. (Van Foreest publiekslezing; Vol. 2012). Nieuw Amsterdam Uitgevers. http://www.musiccognition.nl/foreest/ [details]
    • Honing, H. (2012). Een vertelling. In S. van Maas, C. Hulshof, & P. Oldenhave (Eds.), Liber plurium vocum voor Rokus de Groot: Ter gelegenheid van zijn afscheid als hoogleraar in de Muziekwetenschap aan de Universiteit van Amsterdam, 1 juli 2012 (pp. 150-154). Universiteit van Amsterdam. [details]
    • Honing, H., Merchant, H., Háden, G., Prado, L., & Bartolo, R. (2012). Probing Beat Induction in Rhesus Monkeys: Is Beat Induction Species-Specific? In E. Cambouropoulos, C. Tsougras, P. Mavromatis, & K. Pastiadis (Eds.), Proceedings of the 12th International Conference on Music Perception and Cognition and 8th Triennial Conference of the European Society for the Cognitive Sciences of Music (pp. 454-455). Aristotle University of Thessaloniki. [details]
    • Háden, G. P., Honing, H., & Winkler, I. (2012). Newborn infants are sensitive to sound timing. In F. Cambouropoulos, C. Tsougras, P. Mavromatis, & K. Pastiadis (Eds.), Proceedings of the 12th International Conference on Music Perception and Cognition and 8th Triennial Conference of the European Society for the Cognitive Sciences of Music: July 23-28, 2012, Thessaloniki, Greece (pp. 378-379). Aristotle University of Thessaloniki. http://icmpc-escom2012.web.auth.gr/files/papers/378_Proc.pdf [details]

    2011

    2010

    • Computational Humanities Programme Committee (2010). Computational Humanities: Computational Humanities Programme Committee, Royal Netherlands Academy of Arts and Science (KNAW). Royal Netherlands Academy of Arts and Sciences. [details]

    2009

    • Honing, H. (2009). Iedereen is muzikaal: Wat we weten over het luisteren naar muziek. Nieuw Amsterdam Uitgevers. [details]

    2008

    2005

    • Honing, H. (2005). Music cognition: Theory testing and model selection. In Proceedings of the Annual Conference of the Cognitive Science Society (pp. 38-38). University of Turin.
    • Honing, H. (2005). Muziek is geen geluid: Over muziek, kunst en wetenschap. BLIND : Interdisciplinair Tijdschrift, 4. https://www.ziedaar.nl/article.php?id=207

    1996

    • Desain, P., & Honing, H. (1996). Mentalist and physicalist models of expressive timing. In Abstracts of the 1996 Rhythm Perception and Production Workshop (pp. 14). Max Planck-Institute. [details]
    • Desain, P., & Honing, H. (1996). Modeling Continuous Aspects of Music Performance: Vibrato and Portamento. In Proceedings of the 4th International Music Perception and Cognition Conference McGill University. [details]

    1995

    • Honing, H., & Desain, P. (1995). Computational models of beat induction: the rule-based approach. In G. Widmer (Ed.), Working Notes: Artificial Intelligence and Music (pp. 1-10). IJCAI. [details]
    • Honing, H., & Desain, P. (1995). Towards algorithmic descriptions for continuous modulations of musical parameters. Proceedings of the International Computer Music Conference, 1995, 393-395. http://hdl.handle.net/2027/spo.bbp2372.1995.115 [details]
    • Kappert, P., Desain, P., & Honing, H. (1995). Expresso: het retoucheren (en analyseren) van pianouitvoeringen. In Abstracts vijfde congres Nederlandse Vereniging voor Psychonomie (pp. 20-21). Vereniging voor Psychonomie. [details]

    1994

    • Desain, P., & Honing, H. (1994). Rule-based models of initial beat induction and an analysis of their behaviour. Proceedings of the International Computer Music Conference, 20, 80-82. http://hdl.handle.net/2027/spo.bbp2372.1994.020 [details]
    • Honing, H., & Desain, P. (1994). Advanced issues in beat induction modeling: syncopation, tempo and timing. Proceedings of the International Computer Music Conference, 20, 92-94. [details]
    • Honing, H., & Desain, P. (1994). Can music cognition benefit from computer music research? From foot-tapper systems to beat induction models. Proceedings of the ICMPC 1994, 3, 397-398. [details]
    • Honing, H., & Desain, P. (1994). Does expressive timing in music performance scale proportionally with tempo? Psychological Research, 56(4), 285-292. https://doi.org/10.1007/BF00419658 [details]
    • Honing, H., & Desain, P. (1994). Foot-tapping: a brief introduction to beat induction. Proceedings of the International Computer Music Conference, 20, 78-79. [details]

    1993

    1992

    1991

    • Desain, P., & Honing, H. (1991). Generalized Time Functions. Proceedings of the International Computer Music Conference, 17, 348-351.
    • Desain, P., & Honing, H. (1991). Tempo curves considered harmful A critical review of the representation of timing in computer music. Proceedings of the International Computer Music Conference, 17, 143-149.

    1990

    • Honing, H. (1990). POCO: AN ENVIRONMENT FOR ANALYSING, MODIFYING, AND GENERATING EXPRESSION IN MUSIC. Proceedings of the International Computer Music Conference, 16, 364-368.

    1989

    • Desain, P., Honing, H., & De Rijk, K. (1989). A CONNECTIONIST QUANTIZER. Proceedings of the International Computer Music Conference, 15, 80-85.

    1986

    2020

    2011

    • Honing, H. (2011). Muziek is geen luxe ... maar wat dan wel? [Bespreking van: P. Ball (2010) The music instinct: How music works and why we can't do without it]. De Academische Boekengids, 88, 2-4. [details]

    2010

    2008

    • Honing, H. (2008). De vergeten luisteraar. Boekman, 20(77), 42-47. [details]

    2007

    2006

    • Honing, H. (2006). How to make a machine listen? Intensive Science (Sony Computer Science Laboratoy), 21. [details]

    2004

    • Honing, H. (2004). Een vertelling over muziek, motoriek en metafoor. Mens & Melodie, 59(5), 5-9. [details]
    • Honing, H. (2004). Je weet niet wat je hoort: wiskunde en muziekcognitie. Nieuw Archief voor Wiskunde, 5/5(3), 228-231. http://www.nieuwarchief.nl/serie5/pdf/naw5-2004-05-3-228.pdf [details]
    • Honing, H. (2004). Muziek de maat genomen. Over de groeiende rol van theorie en observatie in de musicologie. De Academische Boekengids, 4(7), 23-23. [details]

    2003

    • Honing, H., & Desain, P. (2003). Final Report NWO-PIONIER Project "Music, Mind, Machine". ILLC, University of Amsterdam.

    1998

    • Honing, H. (1998). Vergelijking MIDI-files: deskundige rapport (rechtzaak Utrecht). Universiteit van Amsterdam / Universiteit van Nijmegen. [details]

    1997

    • Desain, P., & Honing, H. (1997). Lisp as a second language.
    • Desain, P., & Honing, H. (1997). Music, Mind, Machine: beatinductie computationeel modelleren. Informatie, 39, 48-53. [details]

    2020

    • Honing, H. (2020). La scimmia batte il tempo: Alle origini della musicalità negli animali e nell'uomo. (Sfere). Carocci Editore.

    2019

    2018

    • Honing, H. (2018). Aap slaat maat: Op zoek naar de oorsprong van muzikaliteit bij mens en dier. Nieuw Amsterdam. [details]

    2017

    • Honing, H. (2017). Wat is een absoluut gehoor en is het erfelijk? In B. de Graaf, & A. Rinnooy Kan (Eds.), Hoe zwaar is licht: meer dan 100 dringende vragen aan de wetenschap (pp. 74-76). Uitgeverij Balans.

    2016

    2015

    • Honing, H. (2015). Do re mi (Interview). In G. Schilling (Ed.), Een aap die kan blozen (pp. 62-70). Fontaine.
    • Honing, H. (2015). Een intieme relatie met emoties en geheugen (interview). In R. van Boxtel (Ed.), Van trilling tot rilling (pp. 58-70). Prometheus | Bert Bakker.

    2014

    2013

    2012

    2011

    • Honing, H. (2011). De mensen zijn muzikaal, de dieren niet. Friesch Dagblad.
    • Honing, H. (2011). We zijn het enige dier met maatgevoel. Algemeen Dagblad.
    • Honing, H. (2011). We zijn het enige dier met maatgevoel. Parool.
    • Honing, H., Scherder, E. J. A., & Swaab, D. (2011). Amuzikaal zijn is de grote uitzondering. Volkskrant, Opinie & Debat.

    2010

    2006

    • Honing, H. (2006). De analfabetische luisteraar (kan ook Groot Luisteren) [The illiterate listener]. NRC Handelsblad, 19.

    2004

    • Honing, H. (2004). Het geheim van de syncope. Over muziekcognitie, meten aan uitvoeringen, spannende ritmes, en de aandacht van baby's. De Groene Amsterdammer 45, 28-29.

    1996

    • Desain, P., & Honing, H. (1996). Pas op voor de tempocurve! [Beware of the Tempo Curve]. Nieuwsbrief Nederlandse Vereniging voor Psychonomie, 1, 4-7. [details]
    • Desain, P., & Honing, H. (1996). Pas op voor de tempocurve! [Beware of the Tempo Curve]. Nieuwsbrief Nederlandse Vereniging voor Psychonomie, 2, 11-13. [details]
    • Desain, P., & Honing, H. (1996). Pas op voor de tempocurve! [Beware of the Tempo Curve]. Nieuwsbrief Nederlandse Vereniging voor Psychonomie, 3, 8-11. [details]

    1995

    • Honing, H., & Desain, P. (1995). Computationeel modelleren van beat-inductie. In Van frictie tot wetenschap. Jaarboek 1994-1995 (pp. 83-95). Vereniging van Academie-onderzoekers. [details]
    • Honing, H., & Desain, P. (1995). Computationeel modelleren van beat-inductie. In Van frictie tot wetenschap. Jaarboek 1994-1995 (pp. 83-95). Vereniging van Akademie-onderzoekers. [details]

    2024

    • Burgoyne, J. A., & Honing, H. (2024). Rasch models for quantifying the strength of musical memory and the feeling of knowing. Abstract from European Society for the Cognitive Sciences of Music, York, United Kingdom. https://virtual.oxfordabstracts.com/#/event/5192/submission/287
    • Corcoran, K., du Mérac, T. R., Johnson, F., Burgoyne, J. A., Honing, H., Ruderfer, D. M., Lense, M., & Gordon, R. L. (2024). Linking a musical memory gamified task to large-scale health data via electronic health records: A feasibility study in a clinic waiting room. Poster session presented at The Neurosciences and Music, Helsinki, Finland. https://neuromusic.fondazione-mariani.org/full-program-pdf/

    2023

    • Bouwer, F. L., Damsma, A., Burgoyne, J. A., Grahn, J., Slagter, H. A., & Honing, H. (2023). Measuring rhythm and beat perception abilities: a comparison of often-used tests. 688. Abstract from 17th International Conference on Music Perception and Cognition and 7th Conference of the Asia-Pacific Society for the Cognitive Sciences of Music, Tokyo, Japan.
    • Burgoyne, J. A., Baker, D. J., & Honing, H. (2023). What a game can reveal about music perception: A psychometric analysis of the matching pairs game. Abstract from 17th International Conference on Music Perception and Cognition and 7th Conference of the Asia-Pacific Society for the Cognitive Sciences of Music, Tokyo, Japan.
    • Damsma, A., Bazin, P. L. E. A., Kaplan, T., Honing, H., & Bouwer, F. L. (2023). Modelling Flexible Rhythm Prediction in Continuous Time. Abstract from International Conference on Music Perception and Cognition 17, Tokyo, Japan.
    • Damsma, A., Bouwer, F. L., Kemp, S. A., Grahn, J., Honing, H., & Bazin, P. L. E. A. (2023). Exploring Individual Differences in Structural Connectivity Underlying Rhythmic Abilities. Abstract from Rhythm Perception and Production Workshop (RPPW), Nottingham, United Kingdom.
    • Honing, H. (2023). Comparative Research on Beat and Isochrony Perception in Primates. 90. Abstract from 17th International Conference on Music Perception and Cognition and 7th Conference of the Asia-Pacific Society for the Cognitive Sciences of Music, Tokyo, Japan. Advance online publication. https://jsmpc.org/ICMPC17/news/e-proceedings/
    • Huang, X., Burgoyne, J. A., & Honing, H. (2023). What makes Chinese music memorable to the Chinese? The relationship between familiarity and recognition. Abstract from 17th International Conference on Music Perception and Cognition and 7th Conference of the Asia-Pacific Society for the Cognitive Sciences of Music, Tokyo, Japan.
    • Janssen, B., Burgoyne, J. A., Janulevicius, A., Rot, E., & Honing, H. (2023). An infrastructure for reusable online music experiments.. 366. Abstract from 17th International Conference on Music Perception and Cognition and 7th Conference of the Asia-Pacific Society for the Cognitive Sciences of Music, Tokyo, Japan.

    2022

    • Baker, D. J., Li, J., Burgoyne, J. A., & Honing, H. (2022). Would You Like to Participate? Prospects and Pitfalls of Designing Engaging and Intrinsically Motivating Experiments. Paper presented at Society for Music Perception and Cognition Conference, Portland, OR, United States.
    • Huang, X., Burgoyne, J. A., & Honing, H. (2022). The Structure of Musical Preferences Using Chinese Samples. Paper presented at Society for Education, Music, and Psychology Research, London, United Kingdom.
    • Huang, X., Burgoyne, J. A., & Honing, H. (2022). What We Remember is the Prototypical: Pop Music in China from the 1970s to 2010s. Poster session presented at SysMus, Ghent, Belgium.
    • Li, J., Baker, D. J., Burgoyne, J. A., & Honing, H. (2022). The Possibilities and Impossibilities of the Matching-Pairs Game for Music Cognition Research — An Evaluation of a Case Study. Paper presented at Society for Education, Music, and Psychology Research, London, United Kingdom.
    • Li, J., Baker, D. J., Burgoyne, J. A., & Honing, H. (2022). Unravelling Our Capacity for Music: The Potential Role of Memory-Based Games. Paper presented at SysMus, Ghent, Belgium.

    2017

    • Vaquero Patricio, C., Titov, I., & Honing, H. (2017). What score markings can say of the synergy between expressive timing and loudness. Abstract from European Society for Cognitive Sciences Of Music Conference, Ghent, Belgium.

    2014

    • Weidema, J. L., Roncaglia-Denissen, M. P., & Honing, H. (2014). The effect of musical pitch on the perception of lexical pitch in speakers of Madarin. 172. Abstract from ICMPC-APSCOM 2014.
    • van Balen, J., Karavellas, T., Burgoyne, J. A., Wiering, F., Bountouridis, D., & Honing, H. (2014). Modeling Music and Memory Using Information Retrieval Techniques and Games with a Purpose. Poster session presented at Digital Humanities Conference Benelux.

    2013

    2011

    • Honing, H. (2011). The role of surprise in theory testing. Abstract from Workshop on ‘All models are wrong: model uncertainty and selection in complex models’, Groningen, Netherlands.
    • Honing, H., & Bouwer, F. (2011). Is hierarchy in rhythm perception consciously learned?. Abstract from 13th International Rhythm Perception and Production Workshop, Leipzig, Saxony, Germany.

    2009

    • Honing, H., Ladinig, O., Háden, G. P., & Winkler, I. (2009). Do newborn infants sense the beat?. 200-201. Abstract from 7th Triennial Conference of European Society for the Cognitive Sciences of Music (ESCOM 2009), Jyväskylä, Finland. http://urn.fi/URN:NBN:fi:jyu-2009411261 [details]

    2008

    • Honing, H. (2008). Musical competence and the role of exposure. 102. Abstract from Music and Language II Conference, Boston, Massachusetts, United States.
    • Honing, H., Ladinig, O., Winkler, I., & Háden, G. P. (2008). Probing emergent meter perception in adults and newborns using event-related brain potentials: a pilot study. 223. Abstract from The Neurosciences and Music III: Disorders and plasticity (Neuromusic III), Montreal, Canada.
    • Ladinig, O., & Honing, H. (2008). An empirically validated model of complexity: Longuet-Higgins and Lee reconsidered. 89. Abstract from 10th International Conference on Music Perception and Cognition (ICMPC 10), Sapporo, Japan.

    2010

    Prize / grant

    Membership / relevant position

    • Honing, H. (2019). Member elect of the Royal Netherlands Academy of Arts and Sciences (KNAW), KNAW.
    • Honing, H. (2015-2023). Lid van de wetenschapscommissie, Meertens Instituut KNAW.
    • Honing, H. (2013). Member Royal Holland Society of Sciences and Humanities (KHMW), Koninklijke Hollandsche Maatschappij der Wetenschappen (KHMW).

    Media appearance

    Journal editor

    • Honing, H. (editor) & Cornelissen, B. (editor) (2023-). Music Cognition Group (Journal). https://www.mcg.uva.nl/
    • Honing, H. (editor) (2023-). Music Cognition Group: YouTube Channel (Journal). https://www.youtube.com/musiccognition
    • Honing, H. (editor), Bouwer, F. (editor), Burgoyne, A. (editor), Sadakata, M. (editor), Damsma, A. (editor), Baelemans, M. (editor), Janssen, B. (editor) & Young, Z. (editor) (2022-). ToontjeHoger (Journal). https://toontjehoger.amsterdammusiclab.nl/toontjehoger/about
    • Honing, H. (editor) (2010). Empirical Musicology Review (Journal).
    • Honing, H. (editor) (2010). Music Perception (Journal).
    • Honing, H. (editor) (2010). Journal of New Music Research (Journal).
    • Honing, H. (editor) (2009). Music Perception (Journal).
    • Honing, H. (editor) (2009). Journal of New Music Research (Journal).
    • Honing, H. (editor) (2009). Music Theory Spectrum (Journal).
    • Honing, H. (editor) (2009). Empirical Musicology Review (Journal).
    • Honing, H. (editor) (2008). Empirical Musicology Review (Journal).
    • Honing, H. (editor) (2008). Journal of New Music Research (Journal).
    • Honing, H. (editor) (2008). Music Theory Spectrum (Journal).
    • Honing, H. (editor) (2008). Music Perception (Journal).
    • Honing, H. (editor) (2006). Journal of New Music Research (Journal).
    • Honing, H. (editor) (2006). Empirical Musicology Review (Journal).
    • Honing, H. (editor) (2005). Empirical Musicology Review (Journal).
    • Honing, H. (editor) (2005). Journal of New Music Research (Journal).

    Talk / presentation

    • Honing, H. (keynote speaker) (3-11-2023). Iedereen is muzikaal: wat we weten over het luisteren naar muziek, Eiwerkcongres, Amsterdam. https://eiwerk.nl/projecten/congres/
    • Honing, H. (invited speaker) (29-8-2023). The evolving animal orchestra: In search of what makes us musical., EHub.
    • Honing, H. (speaker) (24-8-2023). Comparative Research on Beat and Isochrony Perception in Primates, International Conference on Music Perception and Cognition 17, Tokyo. https://dare.uva.nl/personal/search?identifier=9c91c494-994e-4930-9dfc-7e1ec91278dd
    • Honing, H. (keynote speaker) (18-8-2023). Muziek is geen rocketscience. Of wel?, Lowlands Science, Biddinghuizen. https://lowlands.nl/acts/new-scientist-live-muziek-is-geen-rocketscience-of-wel/
    • Honing, H. (keynote speaker) (6-7-2023). Iedereen is muzikaal. Wat we weten over het luisteren naar muziek, Eduard Douwe Dekker Huis.
    • Honing, H. (keynote speaker) (22-5-2023). In search of what makes is musical, Language in Interaction Meeting, Amsterdam.
    • Honing, H. (keynote speaker) (17-5-2023). On the musicality of the human species, Study Association for students of Cultural Anthroplogy and Development Sociology at the University of Amsterdam (CASA), Amsterdam.
    • Honing, H. (keynote speaker) (13-5-2023). Iedereen is muzikaal: Wat we weten over het luisteren naaar muziek, Het Schielandhuis.
    • Honing, H. (keynote speaker) (7-5-2023). On the origins of musicality, Leakey Foundation.
    • Honing, H. (keynote speaker) (5-5-2023). On the origins of musicality, San Francisco Conservatory of Music.
    • Honing, H. (keynote speaker) (14-4-2023). Iedereen is muzikaal: Wat we weten over het luisteren naar muziek, Interdisciplinair Congres Amsterdam, Amsterdam.
    • Honing, H. (speaker) (26-2-2023). Uitvogelen (muziekcollege), Kazerne.
    • Honing, H. (keynote speaker) (15-2-2023). What makes us musical animals?, Lustrumsymposium De Leidsche Flesch, Leiden.
    • Honing, H. (speaker) (11-2-2023). Uitvogelen (muziekcollege), De Waalse Kerk.
    • Honing, H. (invited speaker) (19-1-2023). Probing beat and rhythm perception in primates,

      Rhythm, Music, and Animal Communication Symposium , Nijmegen.
    • Honing, H. (speaker) (28-11-2022). Groots Luisteren, Academisch-cultureel podium SPUI25.
    • Honing, H. (keynote speaker) (8-11-2022). Iedereen is muzikaal, Innovators Academy.
    • Honing, H. (keynote speaker) (20-9-2022). The evolving animal orchestra: A lecture on musicality.
    • Honing, H. (keynote speaker) (24-6-2022). Music and Genetics, Congres Genoomdiagnostiek, Utrecht.
    • Honing, H. (invited speaker) (28-5-2022). Muzikale dieren, SNAAR Festival, Utrecht.
    • Honing, H. (keynote speaker) (9-4-2022). Der Affe Schlägt den Takt, Historisches Museam Basel.
    • Honing, H. (keynote speaker) (6-4-2022). Iedereen is muzikaal, Nederlands Akoestisch Genootschap.
    • Honing, H. (keynote speaker) (17-1-2022). The evolving animal orchestra, Studium Generale (Eindhoven University of Technology).
    • Honing, H. (invited speaker) (15-12-2021). Chords of the Brain: Musicality explained, UvA Spui25. https://spui25.nl/programma/chords-of-the-brain
    • Honing, H. (invited speaker) (23-11-2021). Gala van de Wetenschap: Over muzikaliteitsonderzoek, Gala van de wetenschap. https://ita.nl/nl/voorstellingen/gala-van-de-wetenschap-2021/1655706/
    • Honing, H. (keynote speaker) (4-11-2021). What makes us musical animals?, Amsterdam UMC. https://www.amsterdamumc.org/en/research/institutes/amsterdam-institute-for-infection-and-immunity/events/-annual-phd-student-retreat-2021-of-aii.htm
    • Honing, H. (invited speaker) (9-9-2021). Muzikale dieren?, KNAW. https://www.knaw.nl/nl/actueel/agenda/hoe-communiceren-robots-en-dieren
    • Honing, H. (keynote speaker) (12-1-2021). Over muziek en biologie, Leiden University Medical Centre (LUMC), Leiden University, Leiden, The Netherlands..
    • Honing, H. (invited speaker) (11-1-2021). What makes us musical animals?, LIVE-Talk Musik / Natur / Wissenschaft / Geschichte, Berlin.
    • Honing, H. (keynote speaker) (21-12-2020). On the origins of musicality, Lecture series on music evolution, Tokyo.
    • Honing, H. (keynote speaker) (13-11-2020). On the origins of musicality, Cognition, Behavior & Evolution Network (CBEN).
    • Honing, H. (invited speaker) (28-10-2020). Research on music cognition and musicality, LUISTER/LISTEN project week, Den Haag.
    • Honing, H. (invited speaker), Cornelissen, B. (invited speaker) & de Heer Kloots, M. (invited speaker) (28-10-2020). Dancing cockatoos and headbanging sealions: Searching for the origins of musical listening., Koninklijk Conservatorium Den Haag. https://www.koncon.nl/listen-project-week-of-the-jazz-department/listen-teachers-and-speakers
    • Honing, H. (invited speaker) (19-9-2020). Iedereen is muzikaal (theatercollege), Theatercollege, Hoogezand.
    • Honing, H. (keynote speaker) (27-1-2020). The Evolving Animal Orchestra: In Search of What Makes Us Musical, Science & Cocktails 2020, Amsterdam. https://youtu.be/oaKsg5LoWrs
    • Honing, H. (invited speaker) (11-12-2019). Iedereen is muzikaal: wat we weten over het luisteren naar muziek, VU-ACTA Amsterdam .
    • Honing, H. (invited speaker) (26-11-2019). Iedereen is muzikaal: wat we weten over het luisteren naar muziek, Franchisedag Bagels & Beans, Delft.
    • Honing, H. (invited speaker) (19-11-2019). Iedereen is muzikaal, GAIN. https://www.vereniginggain.nl/nl/gain-event-2019
    • Honing, H. (keynote speaker) (6-11-2019). Muzikale dieren (Lezing op Studium Generale), RUG Rijksuniversiteit Groningen.
    • Honing, H. (keynote speaker) (5-11-2019). What makes us musical animals (Keynote ISMIR 2019), TU Delft.
    • Honing, H. (speaker) (1-11-2019). Der Affe schlägt den Takt, Buchpremiere, Berlin.
    • Honing, H. (invited speaker) (30-10-2019). Iedereen is muzikaal: wat we weten over het luisteren naar muziek, College, Franeker. https://www.academiefraneker.nl/agenda/iedereen-is-muzikaal-wat-we-weten-over-het-luisteren-naar-muziek/
    • Honing, H. (invited speaker) (2-10-2019). Iedereen is muzikaal: wat we weten over het luisteren naar muziek, Congres Podia | Festivals | Evenementen , Utrecht.
    • Honing, H. (keynote speaker) (15-9-2019). International Symposium on Room Acoustics (ISRA 2019), Acoustical Society of the Netherlands (NAG). https://www.isra2019.eu/keynote
    • Honing, H. (keynote speaker) (14-9-2019). Iedereen is muzikaal, Kiwanis. https://www.mcogebouw.nl/agenda/kiwanis-congres-2019/
    • Honing, H. (invited speaker) (12-4-2019). The Evolving Animal Orchresta: In Search of What Makes Us Musical, Science Night 2019, Amsterdam.
    • Honing, H. (speaker) (2-12-2018). Theatercollege, De Doelen, Rotterdam, Miracles of Music Show.
    • Honing, H. (speaker) (30-11-2018). Keynote Publieksdag ‘Daar zit muziek in’, UL Universiteit Leiden.
    • Honing, H. (speaker) (15-11-2018). Keynote Miracles of Music Congres, VU.
    • Honing, H. (speaker) (10-6-2018). Theatercollege, Stadsgehoorzaal, Leiden, Miracles of Music Show.
    • Honing, H. (speaker) (9-6-2018). Debat: Is muziek echt zo uniek?, Universiteitsdag, Amsterdam.
    • Honing, H. (speaker) (17-1-2018). Theatercollege Concertgebouw, Amsterdam, Miracles of Music Show.
    • Honing, H. (invited speaker) (22-11-2017). Diversity in Science, Diversity in Science, Utrecht. https://www.knaw.nl/en/news/calendar/diversity-in-science
    • Honing, H. (keynote speaker) (22-11-2017). Darwins vermoeden, Alcmeon Congres, Utrecht.
    • Honing, H. (invited speaker) (20-10-2017). Iedereen is muzikaal, De Buren, Brussel.
    • Honing, H. (keynote speaker) (12-10-2017). Darwins vermoeden, Publieksdag hersenstichting, Rotterdam.
    • Honing, H. (speaker) (17-6-2017). On the biological basis of musicality, Harvard Medical School.
    • Honing, H. (speaker) (2-6-2017). What makes us musical animals, UMC, University of Goningen.
    • Honing, H. (speaker) (26-5-2017). Iedereen is muzikaal, ABN AMRO, afd. communicatie Nederland.
    • Honing, H. (speaker) (23-5-2017). Van kunst naar wetenschap, Kunst als leermeester van de wetenschap?, Amsterdam.
    • Honing, H. (speaker) (18-5-2017). Muziek als medicijn?, Muziek als medicijn?, Amsterdam.
    • Honing, H. (speaker) (14-2-2017). Is iedereen muzikaal?, Kenniscafé Bibliotheek Kennemerland, Haarlem.
    • Honing, H. (invited speaker) (7-11-2016). Theatercollege Iedereen is muzikaal, De Leidse Schouwburg.
    • Honing, H. (invited speaker) (1-11-2016). Theatercollege Iedereen is muzikaal, De Meervaart.
    • Honing, H. (speaker) (31-10-2016). Interview met Colin Benders (Kyteman), Gesprek met Colin Benders, Trippenhuis, Academie voor Kunsten, KNAW, Amsterdam.
    • Honing, H. (speaker) (27-10-2016). Two cases of beat deafness: What does it mean?, Beat Deafness, Amsetrdam.
    • Honing, H. (keynote speaker) (20-10-2016). Distinguished Lecture on Musicality, CIRMTT, Montreal, CA.
    • Honing, H. (keynote speaker) (11-10-2016). What makes us musical animals, TU Dresden.
    • Honing, H. (invited speaker) (5-10-2016). Theatercollege Iedereen is muzikaal, Schouwburg De Lawei.
    • Honing, H. (invited speaker) (23-8-2016). Iedereen is muzikaal, Iedereen is muzikaal.
    • Honing, H. (invited speaker) (14-6-2016). The Art of Listening: Round table discussion with Olga Neuwirth et al., Holland Festival, Stadsschouwburg, Amsterdam.
    • Honing, H. (invited speaker) (13-5-2016). Iedereen is muzikaal, Grote Prijs van Nederland, Paradiso, Amsterdam.
    • Honing, H. (invited speaker) (17-4-2016). Iedereen is muzikaal, Museumweek, Instituut voor Beeld en Geluid.
    • Honing, H. (invited speaker) (13-4-2016). What makes us musical animals, Dutch Wednesday, Nederlands Institute St Petersburg (NIP).
    • Honing, H. (invited speaker) (11-4-2016). What makes us musical animals, Московская высшая школа социальных и экономических, Moscow, Russia.
    • Honing, H. (invited speaker) (7-4-2016). What makes us musical animals, Early Intervention Conference, University Medical Center, Groningen.
    • Honing, H. (invited speaker) (8-1-2016). 'Een aap met maatgevoel' Over de bouwstenen van muzikaliteit, Dies Natalis, Oude Lutherse kerk, Amsterdam. https://youtu.be/Ogt01uBpgP8
    • Honing, H. (speaker) (9-12-2015). Iedereen is muzikaal, Nationaal Bibliotheekcongres, Klokgebouw, Eindhoven, NL.
    • Honing, H. (speaker) (2-12-2015). Muziek is meer dan kunst alleen, Maatschappelijke impact van de geestes- en sociale wetenschappen, Adademiegebouw, Utrecht, NL.
    • Honing, H. (speaker) (29-11-2015). Hebben dieren gevoel voor muziek?, Eureka! Festival, Westergasfabriek, Amsterdam, NL.
    • Honing, H. (speaker) (18-11-2015). Breuken, Beats & Beethoven, BètaBreak, Universiteit van Amsterdam.
    • Honing, H. (speaker) (7-11-2015). Voor de muziek uit..., Nationaal congres Onze Taal, Chassé Theater, Breda, NL.
    • Honing, H. (speaker) (21-10-2015). Muziek en het brein, College Club, VonderlCS, Amsterdam, NL.
    • Honing, H. (speaker) (14-10-2015). Muziekcognitie, College in honourscourse, Universiteit van Utrecht, NL.
    • Honing, H. (speaker) (8-10-2015). Iedereen is muzikaal, Muziekeducatie Congres (OCW/ LKCA), Haagse Hogeschool, Den Haag, NL.
    • Honing, H. (speaker) (3-10-2015). 24/7 Lecture on Music Cognition, European Ig Nobel Show, Science Center Nemo.
    • Honing, H. (speaker) (19-9-2015). Iedereen is muzikaal, Nacht van Kunst en Kennis, Gebroeders de Nobel, Leiden, NL.
    • Honing, H. (speaker) (1-6-2015). What makes us musical animals?, ABC Brain Day, Brakke Grond, Amsterdam, NL.
    • Honing, H. (speaker) (30-4-2015). Musicality: Wired for music?, Science Café Wageningen, Wageningen, NL.
    • Honing, H. (speaker) (15-4-2015). What makes us musical animals, Keynote at RIME Conference, Exeter, UK.
    • Honing, H. (speaker) (17-3-2015). Iedereen is muzikaal: Wat we weten over het luisteren naar muziek, Publiekslezing, Theater Reggehof.
    • Honing, H. (speaker) (3-2-2015). Muziek en Brein, Studium Generale, Universiteit van Twente.
    • Honing, H. (speaker) (5-1-2015). Wat maakt ons muzikale dieren?, Lezing in reeks georganiseerd door Koninklijke Maatschappij voor Natuurkunde, Theater Diligentia, Den Haag. http://www.natuurwetenschappen-diligentia.nl
    • Honing, H. (invited speaker) (19-9-2014). Creativiteit en muziek, KNAW-Muller Seminar, KNAW.
    • Burgoyne, J. A. (invited speaker), van Balen, J. (invited speaker), Bountouridis, D. (invited speaker), Karavellas, T. (invited speaker), Wiering, F. (invited speaker), Veltkamp, R. C. (invited speaker) & Honing, H. J. (invited speaker) (7-8-2014). The Contours of Catchiness, or Where to Look for a Hook, International Conference on Music Perception and Cognition, Seoul, South Korea.
    • Honing, H. (invited speaker) (24-5-2014). Nachtlezing -- Muziek in je hoofd, De Nacht van Kunst en Wetenschap, Groningen, NL.
    • Honing, H. (invited speaker) (20-5-2014). Verstand van Muziek, Interview Filmtheater, Hilversum, NL.
    • Honing, H. (invited speaker) (14-4-2014). Musical Animals. Can there be? Are we?, EvoLang/ EvoMus, Vienna, A.
    • Honing, H. (invited speaker) (7-10-2013). Debat muziek en het brein, EOS | Handelsbeurs, Ghent, B.
    • Honing, H. (invited speaker) (4-10-2013). What makes us musical animals, Workd Science Festival Preview, Amsterdam, NL.
    • Honing, H. (invited speaker) (29-8-2013). The tip of the iceberg, Congres Managing Your Talents, Amsterdam, NL.
    • Honing, H. (invited speaker) (16-6-2013). Modelling rhythm perception, Logic & Music workshop, Florence, I.
    • Honing, H. (invited speaker) (10-6-2013). Cognitie en de geesteswetenschappen, KNAW symposium, Amsterdam, NL.
    • Honing, H. (invited speaker) (30-5-2013). What makes us musical animals (ism Yuri Honing), Young Professionals, Concertgebouw, Amsterdam, NL.
    • Honing, H. (invited speaker) (29-5-2013). Het fascinerende brein, Amsterdam Brein en Cognitie, Spui25, Amsterdam. NL.
    • Honing, H. (invited speaker) (28-5-2013). Maatgevoel, IgNobel 24/7 Lecture, Leiden. NL.
    • Honing, H. (invited speaker) (8-5-2013). Muzikale dieren, Food for Thought (NRC/Spui25), Amsterdam, NL.
    • Honing, H. (invited speaker) (26-4-2013). What makes us musical animals, Studium Generale, Barcelona, S.
    • Honing, H. (invited speaker) (11-2-2013). Music, Cognition and the Origins of Music, Darwin Day 2013, Scientific Lecture, Oslo, N.
    • Honing, H. (invited speaker) (11-2-2013). What makes us musical animals, Darwin Day 2013, Public lecture, Oslo, N.
    • Honing, H. (speaker) (15-1-2013). Muziek en evolutie, Science Café Tilburg, Tilburg, NL.
    • Honing, H. (invited speaker) (6-1-2013). Bouwstenen van muziek en muzikaliteit, Paradisolezing (NWO/KNAW), Paradiso, Amsterdam, NL.
    • Honing, H. (speaker) (4-12-2012). KNAW tweegesprek over muziek, muzikaliteit en Afrika, KNAW tweegesprek, Spui25, Amsterdam, NL.
    • Honing, H. (invited speaker) (20-11-2012). Iedereen is muzikaal, Ziggo Congres, Ziggo Dome, Amsterdam, NL.
    • Honing, H. (invited speaker) (7-11-2012). Iedereen is muzikaal, Muziek Telt Congres, Amersfoort, NL.
    • Honing, H. (speaker) (27-10-2012). What makes us musical animals, Montesorri congres, Rome, I.
    • Honing, H. (speaker) (17-10-2012). What makes us musical animals, Congo Congres, Amsterdam, NL.
    • Honing, H. (invited speaker) (26-9-2012). Iedereen is muzikaal, Leerkrachten congres, Nemo Science eCenter, Amsterdam, NL.
    • Honing, H. (invited speaker) (23-9-2012). Over muziekcognitie, Koninklijke Hollandsche Maatschappij Wetenschap, Haarlem, NL.
    • Honing, H. (speaker) (3-9-2012). Wat ons muzikale dieren maakt, Glazenhuis, Universiteit van Amsterdam, Spui, Amsterdam.
    • Honing, H. (speaker) (19-4-2012). What makes us musical animals, Conference Access to Art and Culture throughout Childhood and Youth, Copenhagen, DK.
    • Honing, H. (invited speaker) (17-4-2012). Op zoek naar wat ons muzikale dieren maakt, Twaalfde Van Foreest Publiekslezing, Alkmaar.
    • Honing, H. (invited speaker) (10-4-2012). Iedereen is muzikaal, Jaarlijkse Kunst- en Wetenschapslezing, Studium Generale Utrecht, Utrecht.
    • Honing, H. (speaker) (7-1-2012). What makes humans unique?, Symposium Daniel Dennett, Aula van de Universiteit van Amsterdam.
    • Honing, H. (invited speaker) (25-11-2011). What makes us musical animals, TEDxAmsterdam, Stadsschouwburg, Amsterdam.
    • Honing, H. (invited speaker) (21-11-2011). Muziek, hersenen en stress. Debat met René Kahn en Marian Joëls, Utrecht Lezing Amsterdam, Lutherse kerk, Aula, Amsterdam.
    • Honing, H. (invited speaker) (29-9-2011). Wat ons muzikale dieren maakt, Congres Podiumkunsten, Enschede.
    • Honing, H. (invited speaker) (23-9-2011). Iedereen is muzikaal, Conferentie Kinderen maken Muziek, Kaap Doorn.
    • Honing, H. (speaker) (12-9-2011). Ons muzikale brein, Science Café Nijmegen, Nijmegen.
    • Honing, H. (invited speaker) (22-6-2011). Wat ons muzikale dieren maakt, Symposium Muziek Telt!, Amsterdam.
    • Honing, H. (speaker) (21-4-2011). Iedereen is muzikaal, Academische Club, Amsterdam.
    • Honing, H. (invited speaker) (26-3-2011). Iedereen is muzikaal, Studiedag Gehrels Muziekeducatie, Utrecht.
    • Honing, H. (invited speaker) (17-11-2010). Iedereen is muzikaal, Studium Generale, Technische Universiteit Eindhoven, Eindhoven.
    • Honing, H. (invited speaker) (13-11-2010). Iedereen is muzikaal, EPTA Conferentie, Nunspeet.
    • Honing, H. (invited speaker) (6-11-2010). Wanneer ben je muzikaal?, Kinderlezing Alumnidag UvA, Amsterdam.
    • Honing, H. (invited speaker) (20-10-2010). Iedereen is muzikaal (deel 2), Vredenburg Leeuwenberg, Utrecht.
    • Honing, H. (invited speaker) (16-10-2010). Wanneer ben je muzikaal?, Illustre School Kinderlezing, Amsterdam.
    • Honing, H. (invited speaker) (13-10-2010). Iedereen is muzikaal (deel 1), Vredenburg Leeuwenberg, Utrecht. http://www.vredenburg.nl/agenda/concerten/1725
    • Honing, H. (invited speaker) (8-10-2010). Iedereen is muzikaal, Cultureel café, Lochem.
    • Honing, H. (invited speaker) (7-7-2010). Is beat induction a fundamental musical skill?, Leipziger Neuromusik Gesprächskreis, Max Planck Institute for Human Cognitive and Brain Sciences, Leipzig, G. http://www.musiccognition.nl/newborns
    • Honing, H. (invited speaker) (23-5-2010). Iedereen is muzikaal, Nemo Science Centre, Amsterdam.
    • Honing, H. (invited speaker) (17-4-2010). We're all musical animals, Music & Science Festival, Zutphen.
    • Honing, H. (invited speaker) (14-4-2010). Iedereen is muzikaal, Kunstcongres Rijksuniversiteit Groningen, Groningen.
    • Smith, L. M. (speaker) & Honing, H. (speaker) (2-7-2007). The continuous wavelet transform as a multiresolution representation of musical rhythm, Proceedings of the 11th Rhythm Perception and Production Workshop (RPPW), Dublin, Ireland.
    • Honing, H. (speaker) (23-11-2006). Muziek de maat genomen, DocArtes PhD Programme, Ghent, Belgium.
    • Honing, H. (speaker) (11-10-2006). Virtual Rhythm Space, Opening Virtual Knowledge Studio, KNAW, KNAW, Amsterdam, Netherlands.
    • Honing, H. (speaker) (6-10-2006). Zonder luisteraar geen muziek, Conference Harmonie in Gedrag, Haagse Hogeschool, The Haque, Netherlands.
    • Honing, H. (speaker) (22-8-2006). The role of surprise in theory testing: Some preliminary observations, International Conference on Music Perception and Cognition, Bologna, Italy.
    • Honing, H. (speaker) (25-7-2006). Music and Cognition: What cognitive science can learn from music cognition, Special session at CogSci2006 on Music Cognition, Vancouver, Canada.
    • Honing, H. (speaker) (24-6-2006). Music Cognition Lectures (guest professorship), Sound and Music Computing Summerschool, UPF, Barcelona, Spain.
    • Honing, H. (speaker) (16-12-2005). Computational modeling of music cogniton: a case study in model selection, Minisymposium Logic & Cognition, De Burcht, Amsterdam.
    • Honing, H. (speaker) (13-12-2005). From time to time: The representation of timing and tempo in music, Logic Tea, Euclides, Amsterdam.
    • Honing, H. (speaker) (10-12-2005). Computational modeling of music cognition, Current research topics and perspectives in systematic musicology, University of Cologne, Institute for Musicology.
    • Honing, H. (speaker) (1-12-2005). Perception and categorization of rhythm (EmCAP Workpackage 5), EU FP6-IST, EmCAP Kick-off Meeting, University Pompeu Fabra Computational Neuroscience.
    • Honing, H. (speaker) (2-11-2005). Muziekcognitie: mensen zijn muzikaler dan ze denken, Discussiebijeenkomst "Cognitie & Creatie", KNAW, Trippenhuis, Amsterdam.
    • Honing, H. (speaker) (18-10-2005). Muziek, cognitie en wetenschap, Utrechtse Studievereniging voor Cognitieve Kunstmatige Intelligentie, Universiteit van Utrecht.
    • Honing, H. (speaker) (8-9-2005). Rituelen, ritme en cognitie, Facultaire opening academisch jaar, Universiteit vanAmsterdam, Rode Hoed, Amsterdam.
    • Honing, H. (speaker) (22-6-2005). Muziek is geen geluid, Lezingencyclus "Een andere kijk op psychologie", Universiteit van Amsterdam.
    • Honing, H. (speaker) (1-10-2004). Muziekcognitie onderzoek en de rol van ICT, Nieuwe onderzoeksperspectieven voor de geesteswetenschappen en ICT, SURF, Amsterdam.
    • Honing, H. (speaker) (12-5-2004). Music cognition lectures III, Music Cognition Program, Northwestern University, Evanston, USA.
    • Honing, H. (speaker) (10-5-2004). Music cognition lectures II, Music Cognition Program, Northwestern University, Evanston, USA.
    • Honing, H. (speaker) (5-5-2004). Music cognition lectures I, Music Cognition Program, Northwestern University, Evanston, USA.
    • Honing, H. (speaker) (28-4-2004). Music cognition: on rhythm, timing and tempo, SARC Conference, SARC, Queens University, Belfast, Ireland.
    • Honing, H. (speaker) (29-1-2004). Muziekcognitie, Studium Generale, Thema "Lichaam en Geest", Maastricht University.
    • Honing, H. (speaker) (10-1-2004). Een slag in de ritme ruimte: over ritme, timing en tempo in muziek, Winter Meeting Koninklijk Wiskundig genootschap, Universiteit van Utrecht.
    • Honing, H. (speaker) (14-12-2001). Over het klonteren van tijd: categorieën en ritmeperceptie, Wintercongres NVP, Egmond aan Zee.
    • Honing, H. (speaker) (13-12-2001). Over het klonteren van tijd: categorieën en ritmeperceptie, Colloquium muziekwetenschap, Amsterdam.
    • Honing, H. (speaker) (14-11-2001). Current directions in computer music research, Mosart Meeting, Barcelona.
    • Honing, H. (speaker) (14-10-2001). MMM Position Statement, Member music performance panel, University Pompeu Fabra, Barcelona.
    • Honing, H. (speaker) (9-10-2001). Quantizatie van temporele patronen, STW/Congresgebouw, Den Haag.
    • Honing, H. (speaker) (16-4-2001). Modeling rhythm perception and quantization, Invited lecture, Music Technology Group, University Pompeu Fabra, Barcelona.
    • Honing, H. (speaker) (16-3-2001). Tutorial on rhythm perception, Mosart Meeting, University of Padoa, Padova.
    • Honing, H. (speaker) (19-1-2001). Music and Logic, Symposium Gent, Gent.

    Others

    • Honing, H. (member of programme committee) (7-9-2023 - 9-9-2023). Musicality Genomics Consoritum (MusicGens), Nijmegen. Consortium with goals: Promote research on the genetics, genomics and phenomics of musicality Promote coordinated meta-analyses, using harmonized (…) (participating in a conference, workshop, ...).
    • Damsma, A. (organiser), Bouwer, F. (organiser), Fink, L. (participant), Cannon, J. (participant), Doelling, K. (participant), Grahn, J. (participant), Kaplan, T. (participant), Large, E. (chair) & Honing, H. (chair) (28-8-2023). Modelling Rhythm Perception Beyond the Beat, Tokyo. Symposium at 17th International Conference on Music Perception and Cognition (ICMPC) (organising a conference, workshop, ...).
    • Honing, H. (member of programme committee) (9-9-2022 - 11-9-2022). Musicality Genomics Consortium, Trento. Following the Academy Colloquium & Master Class held in Amsterdam in June 2019, we are now poised to bring together experts in this emerging field to (…) (organising a conference, workshop, ...).
    • Honing, H. (organiser) (19-6-2019 - 21-6-2019). Deciphering the biology of human musicality through state-of-the-art genomics, Amsterdam. This Academy Colloquium on Musicality and Genomics will bring together leading experts from neurobiology, cognitive psychology, music cognition and (…) (participating in a conference, workshop, ...).
    • Scherder, E. J. A. (examiner) & Honing, H. (examiner) (15-1-2019). Is Music a luxury? What we know - and do not know - about the Neurocognitive and Behavioural effects of music education (examination).
    • Honing, H. (participant) (11-10-2017). Theatercollege (other).
    • Honing, H. (participant) (21-8-2017). JOURNÉE D’ÉTUDE SUR LES ORIGINES DE LA MUSIQUE ET DU LANGAGE, Geneve. What makes us musical animals? (participating in a conference, workshop, ...).
    • Honing, H. (chair) (26-6-2017 - 30-6-2017). Summerschool on Music, Language and Cognition, Costa Masnaga (participating in a conference, workshop, ...).
    • Honing, H. (organiser) (17-6-2017). On the biological basis of musicality, Boston (organising a conference, workshop, ...).
    • Hamann, S. R. (organiser), Honing, H. (organiser), Pfeifer, J. (organiser) & Weidema, J. L. (organiser) (27-10-2016). Symposium on Congenital Amusia, Amsterdam (organising a conference, workshop, ...).
    • Honing, H. (organiser) & Daffertshofer, A. (organiser) (6-6-2015 - 8-6-2015). Rhythm Perception and Production Workshop (RPPW). RPPW is a biannual summit that seeks to explore innovative means of understanding rhythm production and perception. Rhythms are paramount in human (…) (organising a conference, workshop, ...). http://www.move.vu.nl/en/news-agenda/conferences-and-symposia/rppw15/index.aspx
    • Szymanik, J. K. (organiser), Zuidema, E. (organiser), Honing, H. J. (organiser) & Aboh, E. O. (organiser) (25-3-2015 - 27-3-2015). SMART International Conference (organising a conference, workshop, ...). http://smartcs.humanities.uva.nl/
    • Honing, H. (organiser) (7-4-2014 - 11-4-2014). Lorentz Workshop, Lorentz Center, Leiden. What Makes Us Musical Animals? Cognition, Biology and the Origins of Musicality (organising a conference, workshop, ...). http://www.lorentzcenter.nl/lc/web/2014/628/info.php3?wsid=628
    • Honing, H. (other) (2010). Member Computational Humanities program group, Royal Netherlands Academy of Arts and Sciences (KNAW) (other).
    • Honing, H. (other) (2010). Member steering commitee Cognitive Science Center Amsterdam, University of Amsterdam (other).
    • Honing, H. (other) (2009 - 2010). Member programme commitee Computational Humanities, Royal Netherlands Academy of Arts and Sciences (KNAW) (other).
    • Honing, H. (other) (2009). Vice-president Elect, European Society for the Cognitive Sciences of Music (ESCOM) (other).
    • Honing, H. (other) (2005). External Examiner, University of Edinburgh (other).

    2024

    2022

    2020

    • van der Weij, B. J. (2020). Experienced listeners: Modeling the influence of long-term musical exposure on rhythm perception. [Thesis, fully internal, Universiteit van Amsterdam]. Institute for Logic, Language and Computation. [details]

    2019

    • Jaschke, A. C. (2019). Is Music a luxury? What we know - and do not know - about the Neurocognitive and Behavioural effects of music education.
    • Vaquero Patricio, C. (2019). What makes a perfomer unique? Idiosyncrasies and commonalities in expressive music performance. [Thesis, fully internal, Universiteit van Amsterdam]. Institute for Logic, Language and Computation. [details]

    2018

    • Janssen, B. D. (2018). Retained or lost in transmission? Analyzing and predicting stability in Dutch folk songs. [Thesis, externally prepared, Universiteit van Amsterdam]. [details]

    2016

    • Bouwer, F. L. (2016). What do we need to hear a beat? The influence of attention, musical abilities, and accents on the perception of metrical rhythm. [Thesis, fully internal, Universiteit van Amsterdam]. [details]

    2009

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