Biographical Sketch
Eftychia Stamkou (b. 1985) is an assistant professor of Social and Cultural Psychology. She completed a BSc in Psychology at Panteion University (summa cum laude) while simultaneously studying music composition at the Conservatorium of Athens (cum laude). She then pursued a Research Master’s in Social and Organizational Psychology at UvA (cum laude), where she earned the Best Master Thesis Award. She subsequently received a Research Talent (Onderzoekstalent) grant from the Netherlands Organisation for Scientific Research (NWO) to fund her PhD research on how norm violators gain power in art, business, and politics at UvA and Columbia University. Her doctoral work was a finalist for multiple dissertation awards, including those from the Society for Experimental Social Psychology (SESP), the International Association for Cross-Cultural Psychology (IACCP), and the International Academy for Intercultural Research (IAIR). Following her PhD in 2018, she secured NWO Rubicon and Fulbright-Schuman grants to serve as a visiting assistant professor at the University of California, Berkeley. Upon returning to Amsterdam, she was awarded an NWO VENI grant and a Horizon2020 grant (co-PI), which enabled her to independently establish the Amsterdam Arts and Social Sciences (AARTSS) lab at UvA and to co-found the Art and Research on Transformation of Individuals and Societies (ARTIS) consortium across European institutions. Her research is currently funded by an NWO Vidi grant, and her contributions to the study of art, culture, and norm violations have been recognized with the Early Career Award from the European Association of Social Psychology (EASP).
Research Interests
Stamkou’s research situates basic psychological processes within their broader socio-cultural contexts and unfolds along two primary lines. The first line investigates the cultural underpinnings of social hierarchies through the lens of norm violations across domains of social life. Challenging the notion that breaking rules universally signals power, she demonstrates that the conferral of status is culturally contingent: norm violators in business are often penalized in culturally collectivistic or tight societies, and even artists who violate inconsequential aesthetic norms are valued less in tight cultures. Similarly, her meta-analytic work challenges the universal assumption that power leads to disinhibited risk-taking, showing instead that this relationship is moderated by the cultural value of other-orientation. Her second line of research examines artworks as cultural products that reflect and shape prevailing norms. A primary focus within this line is the perpetuation of gender norms; using mixed methods to quantify gender biases in films and paintings across diverse historical and cultural contexts, she examines how artworks normalize gender stereotypes but also how subversive art can disrupt these biases. Additionally, she examines the developmental roots of cultural engagement, demonstrating profound art experiences in early life open young children up socially—making them prosocial toward distant outrgroups—and cognitively, driving them to explore novel ideas. To bridge academic inquiry with real-world impact, Stamkou has servedas a consultant for businesses like Adidas AG, and regularly collaborates with major cultural institutions, including Google Arts & Culture, the Guggenheim Museum Bilbao, Carnegie Hall, Singer Laren, and NEMO.
Revised & Resubmitted (2nd Round)
Submitted (1st round)